01 - Sam Eyvaz - 7 Minutes and 27 Seconds | Various Artists | Noise à Noise

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01 - Sam Eyvaz - 7 Minutes and 27 Seconds

from Noise à Noise 21.3 by Various Artists

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Seven minutes and twenty-seven seconds

It all began to the sound of man's howling darkness, with an insatiable thirst for progress,
a symphony of human emotion immersed itself in the erratic waves of machinery, slowly human love metamorphosed into mechanical logic.
The engine's turbines revved up while the friction crumpled iron.
Man surrendered to this new construct of mechanical slavery whilst the invisible creatures of the great city resonated in vibration.
The immortal machine encompassed all but fear of destruction. It took pleasure in death. In the void it swam, swam with no remorse.

So it was decided! These turbulent and melancholic waves of death would suffocate everything in their mist through a sharp silent wind. It was final.
He has presented different Iranian artists and contemporary musicians to the art-scene in Berlin under the name of Tehran On Their Ground and Co- curated exhibitions and electronic music events with Berlin based community Hoerbild. Currently he is working on music production, Live performance and Curating contemporary music and new media art Festival “Future East Festival” as well as collaborating with different artists.

www.sameyvaz.com

صداى مكعب هاى تاريك

هفت دقيقه و بيست و هفت ثانيه

همه چيز با صداى زوزه تاريك انسان تشنه به خلق و پيشرفت آغاز شد،
سمفونى احساسات انسانى در ميان امواج غرنده ماشين آلات ساخته دست او غوطه ور شد و آرام آرام به نقطه گذر از عشق به وصال منطق رسيد
توربينهاى غرنده ماشين قدرت گرفت و خش و خوش اصطحكاك آهن شكفته شد،
انسان احساس خويش را برده ماشين ساخته دست خود كرده بود.همه جاصداى موجودات ناميراى شهر بزرگ طنين انداز بود.
ماشين ناميرا همه چيزداشت جز ترس از نابودى و لذت مرگ. ، پس تصميم بر ان شد كه امواج مطلاتم و ماليخوليايى مرگ همه چيز رو در گرد باد خاموشى خفه كند و كرد.
.
سام عیوض تحت عنوان پروژه‌ی «تهران آن دیِر گراوند» (به انگلیسی: Tehran On Their Ground) هنرمندان معاصر متفاوتی از کشور ایران را به صحنه‌ی هنر برلین معرفی داشته و همینطور در برپایی نمایشگاه‌های متفاوتی همکاری داشته و[به عنوان کیوریتور] و اجراهای موسیقی در جمع هنرمندان واقع در برلین «هوئه‌بیلت» فعالیت کرده است. او در حالِ حاضر مشغول کار برای تولید موسیقی خودش و همینطور اجراهای زنده و کیوریتوری برای فستیوال موسیقی معاصر و هنر نیومدیا به اسم «فیوچرایست» (به انگلیسی: Future East Fertival) است، و همچنین همکاری با هنرمندان متفاوت در برنامه‌ی کار این هنرمند قرار گرفته است.

credits

from Noise à Noise 21.3, released October 10, 2021
This piece has a narrative with itself, as it was essentially produced as a sound-sculpture [fixed-media]; a product of sound-design by the artist which is exclusively exhibited along with Amir Andalib's illustrations and paintings (DARK CUBES in Sayeh Art Gallery, Tehran) on the similar dates back in 2019 (September 27th, October 2nd), and is now mixed to be a part of this compilation.

آین قطعه به همراه خود روایتی دارد و به صورت اختصاصی و به عنوان اثر صوتی فیکس‌مدیا، و همینطور نتیجه‌ی طراحی صدای هنرمند است که در زمان مشابهی در سال 1398 و به عنوان بحش صدای نمایشگاه طراحی‌ها و نقاشی‌های امیر عندلیب تولید شده است (نمایشگاهی با عنوان مکعب‌های تاریک). این قطعه هم اکنون برای انتشار در این آلبوم میکس شده است.

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Noise à Noise Berlin, Germany

Independent, artist-run label for experimntal music. between Teh[e]ran and Berlin

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