Vladan Kuzmanović
A unique quintessential microtonal acoustics with ultrapositive numinous impressions, mesmerising, of alchemical inquiry in electronic modulation. Vibrant, tense, relaxing, enchanting, acme, transcendental, toward catharsis and constant climax. A refreshing Atar (Neiyshaburi) sound tonic.
The harmonic line consists of the Pythagorean twelve-tone scale, with (oriental) pentatonic arpeggios 0 2 4 7 9 12 performed in bassoon timbre.
Festivalism, openness to life, direct experience of vitality, enthusiasm, exaltation, a juvelation of euphoria, immediate purgation. Festivalism of high reality or high lyricism of superactivism, active attitude. Festivalism of positive attraction, and active objects of sensation, objects of exposed reality. The culmination is suspended as sonorous tension.
The points of euphoric saturation, an elixir of continuous entertainment as a form of excessive acme.
Composer: Vladan Kuzmanović
Preset and mix: Vladan Kuzmanović
Music master: Vladan Kuzmanović
Producted by Vladan Kuzmanović
credits
from Noise à Noise 21.4,
released January 7, 2022
Vladan Kuzmanović (Serbia, 1977) is a composer of neoclassical, electroacoustic and concrete music. In his work he develops conceptual music and a conceptual approach to classical and new micro forms, interpreting the concept as an authentic musical phenomenon - as an act, performance and theme, starting from basic musical units to complex musical forms - etudes, bravuras, fugues, cacophonies. and hyperphonic works. The composer stands in relation to sound from a theoretical and practical point of view, where the concept is a creative, thoughtful attitude towards the structure, the motive itself, the goal, and the effect of the composition.
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