Fabio Grandinetti was born in Bolzano, Italy on 26 September 1991. Music student at the Claudio Monteverdi Conservatory in Bolzano, New Technologies and Languages.
Since 2010 And Still committed the profession of OPERATOR Sound Engineering at the theaters of the South Tyrol region for dance reviews.
contemporary music composer for dance schools inherent in modern dance, Including La Quinta Dance.
2017 audio technician for the Performing Improvisation Conservatory of MEB27 Claudio Monteverdi group, at Museion in Bolzano for Association Rimusicazione.
Audio Engineer at the Conservatory Claudio Monteverdi for the academic year 2017 and assignment to the audio recording of the second edition of PianoFestival and scholarship holder of the 2018 event in the field of audio-video productions of the orchestral performances.
from
Noise à Noise 20.3-1,
released September 4, 2020
The idea was born by putting together two sound objects that define two distinct times
between them. One is the so-called metronome sound and the second object invokes the
image of a bell.
The song is based on time in its compositional structure and expresses the idea that
listening is the time of life.
One can also say that the time it takes in its execution a well-defined sound can be varied.
If in the long run, this sound will shorten its duration, perception and changes its shape
and at the same time, the repetition and the speed in which the sound object comes into
operation will be more obvious.
Conversely, if it becomes longer, thus obtaining a sound devoid of naturalness, but at the
same time increasing the changing frequency of oscillations inside we will get the
opposite, maintaining the shape and periodic behavior.