Anna Sowa – born in 1987 in Limanowa (Poland). In 2011 she graduated with distinction from major in eurhythmics at the Academy of Music in Łódź and composition at master studies in prof. Zygmunt Krauze’s composition class (2016). In years 2014 – 2015 she was an Erasmus + student at the Faculty Composition and visualisation prof. Dietrich Hahne Folkwang University of the Arts in Essen (Germany).
She has been presenting her pieces during Musica Moderna Sessions in Łódź on a regular basis for four years. She cooperates with Off Harnam Group and their joint project ”Roots” was presented among others at Harnam’s Anniversary Concert in Łódź and during the Festival Improvisation Contact– ”Fru” in 2012. In November 2012 she took part in the intercollegiate concert of composition students at the Academy of Music in Poznań. She was a co- organiser of The Controlled Festival in Radom held within the project ”Lutosławski – Promesa 2013” and “Kolberg – Promesa 2014” (Projects of the Ministry of Culture and National Heritage). In February 2013 she created the piece ”The quintet” deemed to be (recommended) for choreography at the National Competition of Movement Interpretations held during the Third Meetings with Eurhythmics for schools of 2nd degree (Radom). In March 2013 she created the music for the performance ”The Maids” based on Łódź. Her works have been performed: at festival Musica Privata – Łódź (Poland), National Eurhythmics Festival Exchange of ideas - Lusławice (Poland), Woche Neue Musik – Folkwang University of Arts Essen (Germany), The National Competition of Movement Interpretation for children (music for choreography) - Dobczyce (Poland), festival Touch the Theatre - music for the performance Perfosens by Off Harnam Dance Group - Łódź and Warszawa (Poland),C.A.R. contemporary art ruhr , Receiver not found new video/ sound installation, cooperation with Xiaole Zhang, Essen (Germany), “_Like polish sunny day” - project of the "Anomalia" foundation, Baselga di Pine’
credits
from Noise à Noise 20.3-1,
track released August 17, 2020
Smar is weitten in 2019, this piece is composed for Uli Fussenegger (contrabass) and Marcus Weiss (saxophone).
supported by 6 fans who also own “Anna Sowa - Smar”
Dark and experimental tones resonate throughout, echoing the depth and complexity of its origins. This glitchy electronic music seems to capture the very essence of Iran's current situation, serving as a sonic reflection of its intricate dynamics and emotions. It's precisely the kind of sound one might anticipate arising from such circumstances, masterfully blending art with the pulse of contemporary events. ghalamdar
supported by 6 fans who also own “Anna Sowa - Smar”
This complition of Iranian artists is absolutely mindblowing. So many styles of Experimental Ambient and Electronic compositions. Each artist on the release molds their own uniqueness into their track. Overall, Visions of Darkness is a must have for any avant-garde music fan. Gwynncore
These gracious, spellbinding pieces from composer and sound artist antxnio graz reflect on the ideas of rest and community care. Bandcamp New & Notable Nov 29, 2022
A remix album crafted during Covid lockdown, this LP twists classical compositions into dazzling electronic ambient forms. Bandcamp New & Notable Jul 31, 2022